Lightning Bolt
NAH, Planning For A Burial, Forest Kingdom
Tue, September 18, 2012
Doors: 8:00 pm / Show: 8:30 pm
Union Transfer
Philadelphia, PA
$12.00
Tickets
This event is all ages
http://www.utphilly.com/event/134079/Lightning Bolt

Lightning Bolt emerged from Providence in 1995 as a three-piece art school project. Initially there was Brian Chippendale's explosive, non-stop drumming, Brian Gibson's Contortions-like bass lines, and Hisham Bharoocha's vocals propelling them in a fury of volatile noise and tribal orgy. The group helped found Fort Thunder, a music and art collective, and recorded a self-titled album which is now out of print. Bharoocha left to drum in Black Dice leaving Chippendale with vocal duties. He duly began performing with a microphone in his mouth, the already garbled sound running through a processor which makes his words unintelligible as he pounds his kit. The band recorded only a few singles and laid low in 2000 but returned to the stage with a renewed energy. Their 2001 album, Ride the Skies attempts to capture some of the intensity of their frenzied, post-drum machine sound attack. More important than the idea of traditional songs is the never-ending improvisational patterns between these two skilled musicians and their spontaneous, violent imaginations. "Providence, RI's bass and drums duo Lightning Bolt morphed a Tuesday-night show into a spontaneous street party last week, complete with "balcony seats" on tree branches, cars, and mailboxes, and the average age in attendance thrown off by one thrilled-looking woman in her grandma years." --The Stranger
NAH

NAH is what you hear just before the fire starts, before the glass shatters and the wood warps and the paint cracks. The sound of something not quite right, trapped beneath a layer of expired film. Surgery scars stitched with one thousand miles of cassette tape. NAH is Michael Kuhn (the seated half of anthemic Lancaster punk duo 1994!) and he constructs beats from live drums, samples, loops, basement dust, toxic cleaning supplies, tile grime, and dark matter. He wrote END, the second NAH album of 2012, with a broken hand. Its twenty-one songs churn and hum with the wary efficiency of an industrial machine on its last legs. END’s harsh older brother, tapefuck, rolls through yr head from ear to ear, but not before bombing the shit out of yr brain. No pity, no remorse. You can listen to both at http://nahstuff.bandcamp.com/, and find tapefuck on cassette from Ranch Records; END is currently available on VHS tape, with an LP coming this winter.
Forest Kingdom

Further exploring metal & various electronic music. Basically picking up where Abiku paused.
Venue Information:
Union Transfer
1024 Spring Garden St.
Philadelphia, PA, 19123
Union Transfer
1024 Spring Garden St.
Philadelphia, PA, 19123







