Dillon Francis
Clockwork, Baauer
Sat, November 10, 2012
Doors: 8:00 pm / Show: 8:30 pm
Union Transfer
Philadelphia, PA
$18.00 - $20.00
Sold Out
This event is all ages
http://www.utphilly.com/event/160179/Dillon Francis

Dillon Francis has broken from the throng of young electronic music producers with a stream of world-class remixes and big buzz surrounding his debut EP. Dillon’s already received support from some of the top players, including Steve Aoki, Diplo, Will I. Am, Drop The Lime, Sinden, and Tittsworth to name a few, and his blistering productions have been heavily played by Major Lazer, who’ve been opening their show with the Dutch House-flavored monster “Westside!.” that was consistently rinsed by top DJs on both sides of the pond. His big tune “Masta Blasta” (see Annie Mac’s quote above) is also seeing official release alongside 2 brand new productions: “Que Que” Ft. Maluca, and “Brazzer’s Theme.”
“Masta Blasta” starts off the EP at 108 BPM, perfecting the new Moombahton sound that has infiltrated American dance clubs. Dillon squeezes in everything great about the genre: Dutch stabs, smooth bass, and a dozen drops, making it a flagship track for the movement. “Westside!”, a co-production with DJ Ammo, speeds things up with huge synth stabs and a build that drives crowds into a frenzy. On “Que Que” Dillon teams up with label head Diplo and frequent Mad Decent collaborator Maluca, slowing things back down to Moombahton Levels while Maluca drops a mean latin hook. The last track on the EP, “Brazzers Theme,” features the originator of Moombahton, Dave Nada. “Brazzers” starts of with a sultry beat until hitting the drop where a single siren gets pitched to the stratosphere. The only remix in the pack is held down by Munchi, the Dutch/Dominican prodigy making waves in the dance community with original productions and remixes in just about every style imaginable. For his remix of “Brazzers Theme,” Munchi takes all the mellow sections and simplifies them, while making the drop even more loud and frantic than the original. Look out for his own EP on Mad Decent soon!
“Masta Blasta” starts off the EP at 108 BPM, perfecting the new Moombahton sound that has infiltrated American dance clubs. Dillon squeezes in everything great about the genre: Dutch stabs, smooth bass, and a dozen drops, making it a flagship track for the movement. “Westside!”, a co-production with DJ Ammo, speeds things up with huge synth stabs and a build that drives crowds into a frenzy. On “Que Que” Dillon teams up with label head Diplo and frequent Mad Decent collaborator Maluca, slowing things back down to Moombahton Levels while Maluca drops a mean latin hook. The last track on the EP, “Brazzers Theme,” features the originator of Moombahton, Dave Nada. “Brazzers” starts of with a sultry beat until hitting the drop where a single siren gets pitched to the stratosphere. The only remix in the pack is held down by Munchi, the Dutch/Dominican prodigy making waves in the dance community with original productions and remixes in just about every style imaginable. For his remix of “Brazzers Theme,” Munchi takes all the mellow sections and simplifies them, while making the drop even more loud and frantic than the original. Look out for his own EP on Mad Decent soon!
Clockwork

Los Angeles-born, New York City-based DJ/Producer Clockwork is no stranger to the world of electronic music. The young producer was one of the many 18 year olds circulating the dance music blogospehere with various bootleg remixes. But in 2011, armed with support and guidance from fellow young guns Felix Cartal and AutoErotique, Clockwork emerged from the throng of bedroom producers. His single “Squad Up”, an original track that was played out at festivals around the world, quickly caught the attention of internationally renowned DJ, and Dim Mak chief, Steve Aoki. Aoki signed Clockwork immediately, making him the youngest artist ever signed to Dim Mak’s prolific roster. Since the signing, Clockwork has officially remixed work for artists across the dance music spectrum, from Steve Aoki to Dimitri Vegas. His bootleg remix of Avicii’s notorious big room anthem “Levels” reached over 80,000 plays on Soundcloud, 2 million views on Youtube, and garnered international radio play.
Clockwork’s distinctive bass-heavy, big room sound has helped him gain support from the likes of Tiesto, Steve Angello, Laidback Luke, Steve Aoki, and everyone in between. His DJ sets are always as high energy and innovative as his productions, helping earn him an upcoming international tour as well as a spot on the line-up at the 2011 Hard Haunted Mansion Festival. With 2011 emerged the unique, big-room sounds that define Clockwork, but it truly is just the beginning. With a prolific propensity to create, a progressive production style, and a genuine love for the performance, Clockwork’s future is looking bright.
Clockwork’s distinctive bass-heavy, big room sound has helped him gain support from the likes of Tiesto, Steve Angello, Laidback Luke, Steve Aoki, and everyone in between. His DJ sets are always as high energy and innovative as his productions, helping earn him an upcoming international tour as well as a spot on the line-up at the 2011 Hard Haunted Mansion Festival. With 2011 emerged the unique, big-room sounds that define Clockwork, but it truly is just the beginning. With a prolific propensity to create, a progressive production style, and a genuine love for the performance, Clockwork’s future is looking bright.
Baauer

The love child of Brooklyn and the Internet, Baauer was born out of noise. A sound that began steeped in the 4/4 dance tradition, slowly took on hip hop tendencies until the two became one. Influenced heavily by southern hip-hop and UK bass sounds, Baauer has found himself smack dab in the middle of the electronic renaissance. He is the delectable fusion of future-crunk and leather shaken aggressively in a bottle for years and has only just opened the top to pour the mixture out.
Venue Information:
Union Transfer
1024 Spring Garden St.
Philadelphia, PA, 19123
Union Transfer
1024 Spring Garden St.
Philadelphia, PA, 19123





