WXPN 88.5 Welcomes ...
Tue, June 28, 2016
Doors: 7:30 pm / Show: 8:30 pm
$24.85 - $26.85
This event is all ages
Special offer! A digital download of Mayer Hawthorne’s album, Man About Town (available April 8), is included with every ticket you order for this show. You will receive an email with instructions on how to receive your download following your purchase.https://www.utphilly.com/event/1138167/
Here’s some stuff you can’t find on Wikipedia: Mayer Hawthorne starts his day off with waffles and The Whispers or turkey sausage and Steely Dan. Sometimes it’s punk rock and pancakes for dinner. It doesn’t matter as long as it’s breakfast food and music.
Raised by hippie parents in Ann Arbor, Michigan, smack between the Hash Bash and the car factories – Hawthorne’s old man taught him to play bass guitar at age five. He would play records in the house all while Mayer was growing up. He put him up on game. He’d say, “You hear him singing there? That’s David Ruffin.” Or, “You hear that guitar solo? That’s Stephen Stills.” And young Hawthorne would sit there, with his bowl of cereal, soaking it up.
Mayer DJed in Michigan at the height of Detroit hip-hop. He was there. Before Em blew, when Dilla was still alive. He was spinning records and making rap beats. Now he’s making soul records and rappers are sampling him. Circle of life.
Mayer’s been digging in the crates and you can hear the influences in his music. A touch of Shuggie Otis here, some Bob Marley there, a sprinkle of Sly Stone…
On his fourth full-length album, due out this spring, Hawthorne is back to handling the lion’s share of production. He also played damn near every instrument on the album and penned every track. His songwriting pulls from his life and observations; his heartache and joy. Sometimes it’s groovy, other times he’s vulnerable and sincere.
It’s the shit people listen to when they wanna get drunk and stoned and sentimental. The reason? Mayer Hawthorne stays making that timeless, soulful, baby-making music.
A heartfelt tribute to the role of family, love, and the City's unavoidable lifestyle, Bishouné: Alma del Huila collects six songs performed and recorded at Henry Hirsch's famed Waterfront Studios. Renovated from an old church, Henry's home provided Gabriel with the right tools and environs needed to realize his demos to the songs included on this EP.
Every clap, breath, harmony, and note was performed by Gabriel direct to 2" tape through a Helios console in real time. Aside from a dip into Pro Tools to loop the 25 overdubs that build the claps & stomps of "6 8" and drum programming on "Me Alone" and "Pour Maman", computers had little place in Gabriel's world. Not to imply Bishouné is a product of vintage fetishism; rather, the songs are a humble and urgent bout of self-expression guided by the natural limitations of a solo performer.
Gabriel's compositions revel in such unabashed personhood. "Everything Is Everything" captures the carefree nature of young summers in stark contrast to the inevitable maturity and subservience to life's rat race in "Keep On Running". Those thick grooves give way to slinky, bittersweet ballads and psychotropic-addled burners in "Naeja" and "Me Alone", the latter decorated with tongue-in-cheek lyricism.
1026 Spring Garden St.
Philadelphia, PA, 19123